From Dots to Pixels: Tracing Truth & Desire By Robert Hirsch and AnJanette Brush From U-Turn E-Zine #1, 1999 Milton Rogovin: Buffalo Troublemaker From The Photo Review, March/April 2011, pages 19 -20. “The World in a Jar: War & Trauma – Pictures and the Nature of Evil” PIEA Journal February 2010, Volume I Adobe PDF “World in a Jar: War & Trauma” Journal of Historical Sociology Vol. 22 No. 3 September 2009 Adobe PDF “Point and Shoot Exhibition” CEPA Journal Summer/Fall 1992, 6-7 Adobe PDF “Point and Shoot II Exhibition” CEPA Journal Fall/Winter, 1993, 8-13 Adobe PDF Jell-O: A Shimmering Slice of Americanan By Robert Hirsch From Forever Young Magazine, July 2005 Oil & Water: Avedon and Winogrand By Robert Hirsch and Greg Erf This past fall in New York City one could view two highly divergent approaches to photography as The Metropolitan Museum of Art exhibited Richard Avedon: Portraits and the International Center of Photography presented Winogrand 1964. Flexible Images: Handmade American Photography, 1969 - 2002 by Robert Hirsch Published in The Society for Photographic Education’s exposure, Volume 36:1, 2003, cover and pages 23 – 42 The Culture of Landscape What makes up a landscape? The word landscape derives from the Dutch landschap, meaning “landship.” The term signifies a segment of nature that can quickly be taken in from a single point of view and encompasses the land and everything on it... Shock and Awe: Artists Respond to War It was a cold spring evening in Boston as I sat in a funky Brazilian restaurant near the Museum of Fine Arts with a group of printmakers discussing the invasion of Iraq... Regarding the Pain of Others Today nobody gives much thought to the quality and quantity of writing about photography. But this was not always the case. Whether you agree with her observations of not, the publication of Susan Sontag's On Photography in 1977 was a innovative event that marked the first time an American Intellectual seriously considered photography worth thinking and writing about...