Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes
Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes
4th Edition
About the Book
The long-awaited new edition of this seminal text features clear, reliable, step-by-step instructions on innovative alternative and traditional photographic processes. Over and above a full update and revision of the technical data, there are new sections on digital negative making, electrophotography, and self-publishing.
Foremost practioners, including Edward Bateman, Dan Burkholder, Tom Carpenter, Mark Osterman, France Scully Osterman, Jill Skupin Burkholder, Brian Taylor, and Laurie Tümer, have contributed their expertise to this edition. Perfect for practitioners or students of handmade photography, the book covers classic black-and-white film and paper processes, hand-coated processes like Cyanotype, and Platinum/Palladium.
Also featured is an enhanced section on gum bichromate, invaluable instruction on workflow, and the integration of digital, promoting the effective union of one’s concepts, materials, and processes. The book showcases work and commentary from more than 150 international artists.
Table of Contents
Chapter 1 Essential Moments in Photographic Printmaking
Chapter 2 Pre-darkroom Actions: Imaginative Thinking
Chapter 3 Special Classic Cameras and Equipment
Chapter 4 Image Capture: Special-Use Films, Processing, and Digital Negative Making
Chapter 5 Formulas of One’s Own
Chapter 6 Black-and-White Film Developers
Chapter 7 Analog Fine Printmaking: Equipment, Materials, and Processes
Chapter 8 Black-and-White Paper Developers
Chapter 9 Toning for Visual Effects
Chapter 10 Classic Historic Processes
Chapter 11 Pigmented and Alternative Processes
Chapter 12 Transforming Photographic Concepts: Expanding the Lexicon
Addendum 1 Safety Guidelines
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